Knightley’s ascetic account of GCHQ whistleblower Katharine Gun is the true north of Gavin Hood’s solid, spiralling spy procedural, says Matthew Taylor. Official Secrets review: Keira Knightley shoulders a true-life Iraq War whistleblowing thriller When a father of two takes a job as a courier, the iniquities of the gig economy push him and his family to breaking point in the latest, considerably accomplished, drama from Loach and Paul Laverty, writes Trevor Johnston. Sorry We Missed You review: Ken Loach counts the cost of striving in austerity Britain Life-or-death healthcare comes at a high price in a city where life can be stranger than fiction, as Luke Lorentzen’s gripping fly-on-the-wall documentary reveals, writes Demetrios Matheou. Midnight Family: patrolling Mexico City in a private ambulance Long Day’s Journey Into Night review: Bi Gan’s extravagant art noir wows in three dimensionsĭivided into unequal halves, this self-conscious movie shadows a tough guy led astray by two mysterious women and culminates in an audacious extended 3D sequence filmed in one shot, writes Tony Rayns. Noémie Merlant plays an artist hired to paint a woman, Adele Haenel, who refuses to be painted, in this chamberpiece of shapes, textures and female solidarity, writes Catherine Wheatley. Portrait of a Lady on Fire review: Céline Sciamma’s thrilling, erotic story of women in love Radical choreography, queer resistance and national identity combine in Levan Akin’s sophisticated and rich drama about a young performer fighting to express himself on and off the dancefloor, writes Ben Walters.Ĭunningham review: revisiting the work of a giant of modern danceĭirector Alla Kovgan stages sequences from 14 of the choreographer’s most challenging works, creating a documentary that focuses, refreshingly, on the art rather than the commentary, writes Graham Fuller. Nora Fingscheidt’s powerful debut exposes a system unable to cope with a young girl removed from her mother’s care and prone to fits of uncontrollable rage, by Nikki Baughan.Īnd Then We Danced review: finding a new rhythm as a gay man in Georgia System Crasher: a traumatised nine-year-old girl falls through the cracks Haifaa Al-Mansour’s winning story of a small-town doctor who finds herself standing for election relishes progressiveness and pizzazz in contemporary Saudi Arabia, writes John Bleasdale. However, as his training progresses, Yuuta comes to learn that the dangers of the Jujutsu world go far beyond that of wicked spirits.The Perfect Candidate review: a political fable fuelled by optimism Alongside his new classmates Maki Zenin, a Jujutsu weapons expert Toge Inumaki, a spellcaster who uses his words as weapons and Panda, a seemingly walking and talking panda bear, Yuuta begins to find his place in the world and, for once, to feel comfortable with his abilities. Now a first-year at this school, Yuuta starts to learn Jujutsu arts and combat malignant beings. Yet his apprehender, the master sorcerer Satoru Gojou, has different plans for him: he will join Jujutsu High School and learn to control Rika in order to help people. As a result, when apprehended by "Jujutsu" sorcerers-the secret guardians of the world, trained to combat forces like Rika-Yuuta wishes to be completely isolated so that no one else can get hurt. Unable to control Rika's violent behavior, Yuuta is helpless to stop the bloodshed that follows from her brutal vengeance. Instead, she manifests as a monstrous and powerful entity who fiercely protects him. But her spirit does not appear as the sweet girl Yuuta once knew. Ever since his childhood friend Rika died in a traffic accident, her ghost has stuck with him.
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